Las óleos de todo Abraham Wuchters
ID Image  Painting (From A to Z)       Details 
91588  
Abraham Wuchters, Erik Pontoppidan den
  		 Erik Pontoppidan den   1600s Medium Oil cyf
93684  
Abraham Wuchters, Erik Pontoppidan den Aldre
  		 Erik Pontoppidan den Aldre   1600s Medium oil cjr
89567  
Abraham Wuchters, Mogens Frijs
  		 Mogens Frijs   1600s Medium Oil cyf
85424  
Abraham Wuchters, Mogens Frijs, greve og rentemester
  		 Mogens Frijs, greve og rentemester   Date 1600s Medium Oil cjr
83208  
Abraham Wuchters, Queen Sophie Amalie
  		 Queen Sophie Amalie   c 1680 cyf
83011  
Abraham Wuchters, Queen Sophie Amalie painted in
  		 Queen Sophie Amalie painted in   oil on copper by Abraham Wuchters circa 1680 Date c 1680 cyf
85422  
Abraham Wuchters, Vitus Bering
  		 Vitus Bering   Date 1600s Medium Oil cjr
89566  
Abraham Wuchters, Vitus Bering
  		 Vitus Bering   1600s Medium Oil cyf
Abraham Wuchters
Abraham Wuchters (1608 - 23 May 1682) was a Dutch-Danish painter and engraver. He was born in Antwerp but had most of his career in Denmark where he, along with Karel van Mander III, was the preferred painter of the Danish King, nobility and Bourgeoisie during his day, together they represent the main influence from the Dutch Golden Age on Danish Baroque art. Wuchters was born in Antwerp in 1608. He arrived in Denmark in 1638 and was, the following year, employed as sketching master at Sorø Academy. Around the same time, he was summoned to Copenhagen where he painted several portraits of King Christian IV. In 1645 he returned to Copenhagen Castle to portray the King's children, including lrik Christian Gyldenløve (c. 1645, Danish National Gallery) and Duke Frederik (III) (c. 1645, Amalienborg Palace). In two periods, between 1658 and 1662, he worked at the Royal Swedish Court in Stockholm where he portrayed Queen Consort Christina (1660, Uppsala University and 1661, Stockholm Castle), Charles X Gustav and Hedvig Eleonora. Back in Denmark, Wuchters was engaged by Frederick III, who had instituted Denmark as an absolute monarchy in 1660, with responsibility for the maintenance of his paintings. n 1671 the new king, Christian V, appointed him as official Painter to the Danish Coirt and in 1873 he was also made official Engraver to the Danish Court. It was, therefore, he alone who decided how the face of the absolutist King was to be represented.



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